Directing

Robert Fischer

Informationen

Geburtsdatum 02.10.1954 (70 Jahre alt)
Geburtsort Greven, Germany

Filme & Serien

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Daniel, der Zauberer
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Kurosawa and the Censors
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Monsieur Truffaut Meets Mr. Hitchcock
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
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Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
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Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
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Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
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Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
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Of Love and Constraints
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Contract Kid: William Reynolds on Douglas Sirk
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Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered
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Ernst Lubitsch in Berlin - Von der Schönhauser Allee nach Hollywood
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Ernst Lubitsch in Berlin - Von der Schönhauser Allee nach Hollywood
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Acting for Douglas Sirk
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Acting for Douglas Sirk
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Acting for Douglas Sirk
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Kurosawa and the Censors
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Ted Kotcheff's Gourmet Cinema
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Ted Kotcheff's Gourmet Cinema
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Ted Kotcheff's Gourmet Cinema
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Ted Kotcheff's Gourmet Cinema
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Fassbinder in Hollywood
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Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
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Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer
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Requiem for a Killer: The Making of 'Blast of Silence'
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Return to Philadelphia: George Litto on 'Blow Out'
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Black and White in Color: Vilmos Zsigmond on 'Blow Out'
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Rag Doll Memories: Nancy Allen on 'Blow Out'
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Traveling Roadshow
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Jack Arnold Remembers The Incredible Shrinking Man
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The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
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Touching Death: Alejandro Amenábar on 'Tesis'
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Touching Death: Alejandro Amenábar on 'Tesis'
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Touching Death: Alejandro Amenábar on 'Tesis'
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Touching Death: Alejandro Amenábar on 'Tesis'
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Touching Death: Alejandro Amenábar on 'Tesis'
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A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
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Program Notes: An Introduction To The Last Detail By Alexander Payne
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A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
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Program Notes: An Introduction To The Last Detail By Alexander Payne
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Program Notes: An Introduction To The Last Detail By Alexander Payne
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Program Notes: An Introduction To The Last Detail By Alexander Payne
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Starting Out: The Making of Jerzy Skolimowski's Deep End
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A Winter's War: Keith Gordon on 'A Midnight Clear'
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Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
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Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
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Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
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Hans Fromm on 'Phoenix'
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Hans Fromm on 'Phoenix'
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Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
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Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
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Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
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Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
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Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
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Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
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Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
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Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
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Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
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Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
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Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
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Painting with Light: Nicholas von Sternberg on Josef von Sternberg
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Les Mystères de Paris : "Out 1" de Jacques Rivette revisité
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Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
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Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
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Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
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Budd Boetticher on the Ranown Cycle
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The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
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Before Taking Off: Milos Forman’s Road to America
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Before Taking Off: Milos Forman’s Road to America
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Perspectives on Othello: Joseph McBride on Orson Welles
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Perspectives on Othello: Joseph McBride on Orson Welles
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Perspectives on Othello: Joseph McBride on Orson Welles
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Perspectives on Othello: Joseph McBride on Orson Welles
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Will He Live or Will He Die: Walter Hill on Southern Comfort
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Weimar on the Pacific
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Dietrich Icon
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Homay King on 'Shanghai Express'
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Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien
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G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
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G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
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The Beast Inside: Creating 'Wolf'
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The Beast Inside: Creating 'Wolf'
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Le Cinéma en jeu: L'Amour fou de Jacques Rivette revisité
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Le Cinéma en jeu: L'Amour fou de Jacques Rivette revisité
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Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
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Painting with Light: Nicholas von Sternberg on Josef von Sternberg
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Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
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Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
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Painting with Light: Nicholas von Sternberg on Josef von Sternberg
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Painting with Light: Nicholas von Sternberg on Josef von Sternberg
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Painting with Light: Nicholas von Sternberg on Josef von Sternberg
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Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
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Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
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Painting with Light: Nicholas von Sternberg on Josef von Sternberg
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Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
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Making an American Movie
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Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
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Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
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Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
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Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
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Men of Mystery
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Reviving Harry Lime
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Swan Song: The Story of Billy Wilder's Fedora
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Swan Song: The Story of Billy Wilder's Fedora
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Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
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A Tribute to Douglas Sirk by Allison Anders
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Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
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A Tribute to Douglas Sirk by Allison Anders
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A Tribute to Douglas Sirk by Allison Anders
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Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
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Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
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Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
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A Tribute to Douglas Sirk by Allison Anders
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A Tribute to Douglas Sirk by Allison Anders
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Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
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Le Plaisir: From Script to Screen
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Working with Max Ophuls: Daniel Gélin on "La Ronde"
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Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
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Working with Max Ophuls: Tony Aboyantz, Assistant Director
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Working with Max Ophuls: Robert Christidès, Set Decorator
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Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
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Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
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Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
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Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir
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Working with Max Ophuls: Robert Christidès, Set Decorator
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Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
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Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
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Working with Max Ophuls: Tony Aboyantz, Assistant Director
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Working with Max Ophuls: Daniel Gélin on "La Ronde"
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Le Plaisir: From Script to Screen
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Working with Max Ophuls: Annette Wademant, Co-Writer
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Working with Max Ophuls: Alain Jessua on the Making of Madame de...
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Working with Max Ophuls: Marc Frédérix, Assistant Decorator
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Working with Max Ophuls: Annette Wademant, Co-Writer
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Working with Max Ophuls: Marc Frédérix, Assistant Decorator
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Working with François Truffaut: Nestor Almendros, Director of Photography
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Working with François Truffaut: Nestor Almendros, Director of Photography
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Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'
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Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'
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Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'
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Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'
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Dalton Trumbo: Rebel in Hollywood
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Kino der Zeichen: Claude Chabrol über Alfred Hitchcock
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Love Letters
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Love Letters
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Deep End
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Deep End
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Life As It Is: Miloš Forman on Miloš Forman
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Return to Beethoven Street: Sam Fuller in Germany
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Return to Beethoven Street: Sam Fuller in Germany
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Rumble on the Lot: Walter Hill's Streets of Fire Revisited
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Rumble on the Lot: Walter Hill's Streets of Fire Revisited
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Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
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The Fury: A Location Journal
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Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
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The Fury: A Location Journal
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Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien
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Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien
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Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien
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Erinnerungen an 'Väter und Söhne'
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Erinnerungen an 'Väter und Söhne'
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Erinnerungen an 'Väter und Söhne'
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Fassbinder in Hollywood
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Outer Movement, Inner Movement
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The Making of Highlander
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Dalton Trumbo: Rebel in Hollywood
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Expedition Amazonia
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About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
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Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
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Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand

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